Looking along the waterline
Reflections, broken symmetry and the edges of a quiet scene.
Begin with the edge
A waterline is a meeting of textures. Look for the point where a solid surface becomes a reflection, then decide which side deserves more space. A slightly uneven division can feel more natural than an exact half.
Wait for a change
Watch one small area for a minute. Ripples can simplify a reflection or scatter it into unrelated fragments. Make a few frames at different moments and compare the shapes, rather than assuming the sharpest reflection is always the strongest.
Keep your position ordinary
Work from a stable public path or viewing area. A longer focal length or a tighter crop can isolate a pattern without moving closer to an uncertain edge. The observation matters more than an unusual camera position.
Choose one organising line
A bank, railing, shadow or reed can provide a useful structure. Let the smaller marks remain irregular around it. In the edit, check whether that line is still the first thing your eye finds.